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Preface | ||
In a Trunk Not Looked into for Twenty Years | 1 | |
South Woods in October, with the Spiders of Memory | 3 | |
Cycladic Figure | 4 | |
Renovated Zoo, Now Called Habitat | 5 | |
To Charlotte Bronte | 7 | |
Slipping | 8 | |
Persephone | 9 | |
Full Flower Moon | 10 | |
Up To | 11 | |
Wide-Eyed Look | 12 | |
"Some Vision of the World Cashmere" | 13 | |
The Last Saffron | 14 | |
Ghazal | 16 | |
After the Auction of My Grandmother's Farm | 18 | |
Chequamegon | 19 | |
Chronic Town | 20 | |
Imaginary | 21 | |
Carpathian Frontier | 22 | |
River | 23 | |
Praying with George Herbert in Late Winter | 24 | |
Reading Frank O'Hara in the Hospital | 26 | |
Evening Song | 27 | |
Benton's Clouds | 28 | |
Ohio Fields after Rain | 30 | |
Treatise on Touch | 31 | |
Bad Cello | 34 | |
I Imagine the Mortician | 35 | |
Bones Not of This Puny World | 36 | |
Lament | 39 | |
Dreampoem 3 | 41 | |
Dreampoem 4 | 42 | |
Dreampoem 6 | 42 | |
Dreampoem 7 | 43 | |
Dreampoem 8 | 44 | |
Dreampoem 10 | 45 | |
My Religion | 47 | |
Flexion of God | 48 | |
God's Name | 50 | |
The Wolf God | 51 | |
God's Ardor | 52 | |
Argos | 53 | |
Brave Sparrow | 54 | |
My Crucifixion | 56 | |
The Barber | 57 | |
Bardo | 58 | |
The Other | 59 | |
Final Season | 59 | |
Nocturne with Witch, Oven and Two Little Figures | 61 | |
My Crow, Your Crow | 63 | |
For Lear | 63 | |
The God Who Loves You | 65 | |
A Priest of Hermes | 66 | |
Not the Idle | 67 | |
Gelati | 68 | |
The Moth | 70 | |
Crooked Wood | 72 | |
How to Like It | 75 | |
His Favorite Blue Cup | 76 | |
How It Was at the End | 77 | |
(His life was the practice) | 78 | |
No Moment Past This One | 78 | |
A Postmortem Guide | 80 | |
Burying the Cat | 81 | |
Oklahoma City | 83 | |
Poe in Margate | 84 | |
Chekhov in Port Republic | 85 | |
The Dig | 86 | |
The Burial | 87 | |
Inside gertrude stein | 88 | |
The White Dress | 89 | |
All the People in Hopper's Paintings | 91 | |
The Machinist, Teaching His Daughter to Play the Piano | 93 | |
Old Men Playing Basketball | 94 | |
The Great Gizzardo | 96 | |
Lord of the Jungle, Larva-Nude | 97 | |
Herkimer, Mohawk, et al., in Autumn | 97 | |
Australia | 98 | |
What We Wait For | 99 | |
Faces Underwater | 99 | |
Bang! | 101 | |
Wake | 102 | |
Spring | 103 | |
Barukh ata adonay | 104 | |
Nothing Doing | 105 | |
The Fidgeting | 106 | |
Gouge, Adze, Rasp, Hammer | 107 | |
The Actual Moon, The Actual Stars | 108 | |
The St. Louis Zoo | 111 | |
Komodo | 112 | |
Compatibility | 114 | |
Scorn | 115 | |
Requin | 115 | |
Blue Annunciation | 117 | |
Ghazal | 118 | |
I Not I | 119 | |
Down There, If You Look | 120 | |
Envoi | 121 | |
Mock Orange | 122 | |
Celestial Music | 123 | |
The Wild Iris | 124 | |
Ithaca | 125 | |
Nest | 125 | |
The Education | 129 | |
I Was Looking | 130 | |
What They Are | 131 | |
The Visitation | 132 | |
The Knife Accuses the Wound | 134 | |
Grammatical Mood | 135 | |
Cord | 138 | |
Submersible | 141 | |
I Am | 142 | |
Sackcloth | 142 | |
God's World, 1927 | 143 | |
Rotgut | 144 | |
Scrolls | 145 | |
The Desire Manuscripts | 146 | |
America | 151 | |
Carnal Knowledge | 152 | |
Lucky | 153 | |
Lawrence | 155 | |
Jet | 156 | |
Prayer | 158 | |
A Certain Light | 158 | |
Reading Ovid | 160 | |
Practicing | 161 | |
What the Living Do | 162 | |
Do Not Leave Baby Unattended | 164 | |
Joy | 165 | |
Small Boys Petting Caterpillar | 167 | |
The Satyr's Heart | 169 | |
Blacklegs | 169 | |
Sheep Child | 171 | |
The South Gate | 172 | |
Elegy | 173 | |
Sheet Music | 174 | |
Linear | 176 | |
Impetus | 179 | |
Balm | 179 | |
2. Caravaggio: Swirl & Vortex | 182 | |
7. Coda: Kind of Blue | 185 | |
Portrait | 187 | |
Beauty School | 187 | |
Henry Clay's Mouth | 188 | |
Tactile | 189 | |
Pre-Cerebral | 190 | |
Bonehead | 190 | |
The Orange | 191 | |
Because This Is Florida | 192 | |
The Zebra Longwing | 193 | |
Benediction for the Savior of Orlando | 194 | |
Past All Understanding | 197 | |
The Looker | 198 | |
Etymological Dirge | 199 | |
What He Thought | 200 | |
Just Some | 202 | |
Havana Dream | 203 | |
Amor Vincit Omnia | 203 | |
Venus in Varadero | 204 | |
The Peasant Heart | 204 | |
Before the Solutions | 205 | |
End of the Affair | 205 | |
Butterflies That Save Us from Ourselves | 206 | |
Reverie: The Saturday Evening Post | 207 | |
Nature Rarely Confides in Me | 209 | |
Bolt from the Blue: A Sequence | 212 | |
(Trauma) Storm | 214 | |
Screaming Out Loud | 215 | |
Almost a Loneliness | 216 | |
How Smoothly | 216 | |
Be-All | 217 | |
Ovidian | 218 | |
Confession 1.8.13 | 218 | |
Confession 10.8.13 | 219 | |
Confession 4.2.3 | 219 | |
Two Sisters | 220 | |
Confession 2.5.10 | 221 | |
Inseminator Man | 222 | |
Lost Innocence of the Potato Givers | 225 | |
From the Devotions | 227 | |
The Kill | 229 | |
Trade | 231 | |
Section 1 from Plot | 233 | |
Cerberus | 239 | |
The Sofia Buslot | 240 | |
Bulgarian Girl | 241 | |
Striking a Match | 241 | |
Redbird, Soon in the Morning | 242 | |
The Wine-Dark Sea | 243 | |
Reminder | 244 | |
A Good Father | 244 | |
A Two-Year-Old Girl in a Restaurant | 245 | |
Birthday | 246 | |
Every Sunday | 246 | |
Wings of the Morning | 247 | |
The Present Perfect | 248 | |
American Solitude | 250 | |
Last Requests | 252 | |
Poem Ending with a Phrase from the Psalms | 253 | |
Definition of the Soul | 254 | |
After Surgery | 255 | |
Mop String | 256 | |
History | 257 | |
Front Street | 257 | |
The Burned Boy | 258 | |
Augusto Jandolo: On Excavating an Etruscan Tomb | 260 | |
Newsreel | 261 | |
Prayer | 263 | |
The Dreamhouse | 264 | |
Red Dog | 266 | |
Of Oystermen, Workboats | 267 | |
Night Pleasures | 268 | |
Making a Statement | 269 | |
Descending | 269 | |
At the Vet's | 271 | |
Dead Moth in a Bottle of Mineral Water | 272 | |
Tatyana | 272 | |
Encounter on an Italian Beach | 273 | |
Lost Life | 274 | |
A Night in Assisi | 276 | |
The Seasons | 278 | |
Two Brief Views of Hell | 278 | |
Let me tell you about my marvelous god | 280 | |
The Sea of Time and Space | 281 | |
Vessel: Mythos | 284 | |
Myth of the Flood | 285 | |
Hunger for Something | 286 | |
Decade | 286 | |
Erotic Energy | 287 | |
To the Reader: Polaroids | 288 | |
To the Reader: If You Asked Me | 288 | |
To the Reader: Twilight | 289 | |
The path between | 290 | |
The Night Sea | 290 | |
I have lived in your face | 290 | |
One Foot in the Dark | 291 | |
A linnet in the rain | 291 | |
The Passing | 292 | |
The Art of Distance, I | 293 | |
The Art of Distance, II | 294 | |
The Art of Distance, VI | 296 | |
Largesse | 297 | |
Linda Does My Horoscope | 299 | |
Where the Hills Come Down Like a Lion's Paw on Summer | 302 | |
Tidepools, Part 2 | 303 | |
The Muse | 305 | |
Field of Vision | 306 | |
Epitaph | 307 | |
Facing into It | 308 | |
Of a Sun She Can Remember | 310 | |
German Chronicle | 311 | |
The Pumpkin Tree | 317 | |
About Language | 318 | |
Dark Forest | 319 | |
The Longing of Eagles | 321 | |
Sunflower | 323 | |
The River Merchant, Stuck in Kalamazoo, Writes His Wife a Letter During Her Semester Abroad | 324 | |
I Can Hardly Be Considered a Reliable Witness | 325 | |
How I Get My Ideas | 326 | |
Acknowledgments | 329 | |
Contributors' Notes | 337 |
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