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Acknowledgments | ||
Introduction: Figuring Theater | 1 | |
1 | Theatrical Reforms: Stage Fright and the Scene of Reading | 29 |
2 | Staging a Comeback: the Remasculinization of the Novel | 66 |
3 | Heimlich Maneuvers: Domesticity, Theatricality, and the Abject | 99 |
4 | Mesdames Bovary: Performative Reading, Cultural Capital, and High Art | 135 |
5 | Performing Distinction: Elevating the Literary Sphere | 170 |
Conclusion | 198 | |
Notes | 203 | |
Bibliography | 230 | |
Index | 244 |
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