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Preface
Introduction: Images and Imaginaries Christian Rogowski Rogowski, Christian 1
1 Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity? Jill Suzanne Smith Smith, Jill Suzanne 13
2 Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919) Barbara Hales Hales, Barbara 31
3 Humanity Unleashed: Anti-Bolshevism as Popular Culture in Early Weimar Cinema Philipp Stiasny Stiasny, Philipp 48
4 Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's "Oriental" Fantasy Richard W. McCormick McCormick, Richard W. 67
5 Romeo with Sidelocks: Jewish-Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films Cynthia Walk Walk, Cynthia 84
6 "These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hande (1924) Anjeana Hans Hans, Anjeana 102
7 The Star System in Weimar Cinema Joseph Garncarz Garncarz, Joseph 116
8 Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades Elizabeth Otto Otto, Elizabeth 134
9 The Musical Promise of Abstract Film Joel Westerdale Westerdale, Joel 153
10 The International Project of National(ist) Film: Franz Osten in India Veronika Fuechtner Fuechtner, Veronika 167
11 The Body in Time: Wilhelm Prager's Wege zu Kraft und Schonheit (1925) Theodore F. Rippey Rippey, Theodore F. 182
12 Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror Valerie Weinstein Weinstein, Valerie 198
13 The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928) Christian Rogowski Rogowski, Christian 211
14 Babel's Business ---On Ufa's Multiple Language Film Versions, 1929-1933 Chris Wahl Wahl, Chris 235
15 "A New Era of Peace and Understanding": The Integration of Sound Film into German Popular Cinema, 1929-1932 Ofer Ashkenazi Ashkenazi, Ofer 249
16 Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930) Jaimey Fisher Fisher, Jaimey 268
17 Undermining Babel: Victor Trivas's Niemandsland (1931) Nancy P. Nenno Nenno, Nancy P. 286
18 Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930-33) Mihaela Petrescu Petrescu, Mihaela 299
Filmography 317
Notes on the Contributors 329
Index 333
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Add The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy, Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire , The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy to the inventory that you are selling on WonderClubX
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Add The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy, Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire , The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy to your collection on WonderClub |