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Acknowledgments | ||
Introduction | 1 | |
Ch. 1 | Masculinity and Performance | 5 |
Ch. 2 | Canonical Forefathers | 19 |
Eugene O'Neill: Father of American Drama | 21 | |
Tennessee Williams: Masquerades of Masculinity | 24 | |
Arthur Miller: Portrait of the Common Man | 27 | |
Amiri Baraka: Angry Young Men | 30 | |
Ch. 3 | Sam Shepard: The Eternal Patriarchal Return | 35 |
Dueling Identities: Tooth of Crime and True West | 42 | |
Fathers and Sons: Curse of the Starving Class and Buried Child | 50 | |
Women and Male Identity: Fool for Love and A Lie of the Mind | 57 | |
Afterward: States of Shock | 66 | |
Ch. 4 | David Mamet: The Search for Masculine Space | 71 |
The Search for Selfhood: Edmond | 76 | |
Apprenticeships to Manhood: Sexual Perversity in Chicago and Lakeboat | 80 | |
Competition for Identity: Glengarry Glen Ross | 85 | |
Men at Work: American Buffalo and Speed-the-Plow | 89 | |
Fueling the Fires: Oleanna | 94 | |
Engendering Language | 98 | |
Ch. 5 | David Rabe: Men Under Fire | 103 |
In the Shadow of War: The Vietnam Trilogy | 104 | |
Media Images of Manhood: The Basic Training of Pavlo Hummel and Sticks and Bones | 106 | |
In the Cadre Room: Streamers | 113 | |
Myths of Male Friendship I: Goose and Tomtom Play Dress-Up | 117 | |
Myths of Male Friendship II: Hurlyburly | 125 | |
Ch. 6 | August Wilson: Performing Black Masculinity | 133 |
Black Masculinity | 137 | |
Masculinity and the Tradition of African American Drama | 140 | |
Blues Men: Ma Rainey's Black Bottom | 143 | |
Family Men: Fences, Joe Turner's Come and Gone, and Piano Lesson | 147 | |
Men in Groups: Two Trains Running | 153 | |
Black and White Masculinity | 157 | |
Ch. 7 | Other Voices, Other Men: Reinventing Masculinity | 161 |
Bibliography | 171 | |
Index | 181 |
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Add Staging Masculinity: Male Identity in Contemporary American Drama, The men in plays such as Arthur Miller's Death of a Salesman or Sam Shephard's True West are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, includ, Staging Masculinity: Male Identity in Contemporary American Drama to the inventory that you are selling on WonderClubX
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Add Staging Masculinity: Male Identity in Contemporary American Drama, The men in plays such as Arthur Miller's Death of a Salesman or Sam Shephard's True West are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, includ, Staging Masculinity: Male Identity in Contemporary American Drama to your collection on WonderClub |