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Preface | ||
Acknowledgments | ||
1 | Postmodern Myth and Post-European History: Thematics and Theory in the New World | 3 |
2 | Making Myths, Playing God: The Narrator in Jacques Godbout's Les Tetes a Papineau and Rudy Wiebe's The Scorched-Wood People | 57 |
3 | Reshaping Religions, Challenging Cosmogonies: Jovette Marchessault's Comme une enfant de la terre and Joy Kogawa's Obasan | 100 |
4 | Political History in the Feminine: Jovette Marchessault's Comme une enfant de la terre and Joy Kogawa's Obasan | 155 |
5 | Magic Realism and Postcolonial Challenges to History: George Bowering's Burning Water and Francois Barcelo's La Tribu | 202 |
6 | Imagining Myth in the New World: George Bowering's Burning Water and Francois Barcelo's La Tribu | 250 |
Afterword | 285 | |
Notes | 289 | |
Bibliography | 297 | |
Index | 333 |
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Add New World Myth: Postmodernism and Postcolonialism in Canadian Fiction, There is an emphasis on de-constructing, de-centring, de-stabilizing, and especially de-mythologizing in the study that illustrates New World myth narrators questioning the past in the present and carrying out their original investigations of myth, place,, New World Myth: Postmodernism and Postcolonialism in Canadian Fiction to the inventory that you are selling on WonderClubX
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Add New World Myth: Postmodernism and Postcolonialism in Canadian Fiction, There is an emphasis on de-constructing, de-centring, de-stabilizing, and especially de-mythologizing in the study that illustrates New World myth narrators questioning the past in the present and carrying out their original investigations of myth, place,, New World Myth: Postmodernism and Postcolonialism in Canadian Fiction to your collection on WonderClub |