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Book Categories |
List of Plates | ||
Foreword | ||
Acknowledgments | ||
Editor's Introduction | ||
1 | Remark on This New Method | 5 |
2 | Introduction | 7 |
3 | Progress of the Art | 10 |
4 | Notice Regarding the Order Followed in This Method | 15 |
5 | The Principles of Technique | 19 |
6 | Preparatory Exercises; Scales of One Octave | 29 |
7 | The Seven Positions | 42 |
8 | The Scale | 75 |
9 | Chromatic Scales | 111 |
10 | Melodic Ornament | 121 |
11 | Double and Triple Stops | 145 |
12 | The Bow | 158 |
13 | Tone | 227 |
14 | Timbre and Character of the Four Strings of the Violin | 244 |
15 | Nuances | 254 |
16 | Fingering; The Minor Mode | 257 |
17 | Ornamentation | 278 |
18 | Musical Punctuation | 289 |
19 | Holds and Cadenzas | 294 |
20 | Melodic and Harmonic Preludes | 328 |
21 | Standard Pitch | 348 |
22 | On the Natural in Art | 350 |
23 | Musical Character: The Accent That Determines It | 351 |
24 | Effect and Means of Effect | 377 |
25 | How to Practice | 447 |
Introduction to Part 2 | 473 | |
26 | Expression and Means of Expression | 475 |
27 | Explanation of the Signs Used in This Work | 481 |
28 | Catalogue of the Composers Whose Compositions Are Used in the Violin Classes at the Conservatoire National in Paris | 486 |
29 | Analytical Table of Contents | 490 |
30 | Alphabetical Table | 493 |
Notes | 499 | |
Critical Notes on the Musical Examples | 521 | |
Bibliography | 529 | |
Index of the Works Used in the Musical Examples | 535 | |
Index | 539 |
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