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Introduction: From "The Beautiful" to "The Dubious": Japanese Traditionalism, Modernism, Postmodernism | ||
Acknowledgments | ||
1 | Derrida and the Decentered Universe of Ch'an/Zen Buddhism | 1 |
2 | Ie-ism ("Sacred Familism") and the Discourse of Postmodernism in Relation to Nativism/Nationalism/Nihonism | 25 |
3 | Intervals (Ma) in Space and Time: Foundations for a Religio-Aesthetic Paradigm in Japan | 55 |
4 | Lyricism and Intertextuality: An Approach to Shunzei's Poetics | 81 |
5 | A Methodological Examination of the "Post-Confucian Thesis" in Relation to Japanese (and Chinese) Economic Development | 95 |
6 | The Murky Mirror: Women and Sexual Ethics as Reflected in Japanese Cinema | 121 |
7 | The Intertextual Fabric of Narratives by Enchi Fumiko | 169 |
8 | Tradition, Textuality, and the Trans-lation of Philosophy: The Case of Japan | 225 |
9 | The Kyoto School and Reverse Orientalism | 245 |
10 | Tradition Beyond Modernity: Nishitani's Response to the Twentieth Century | 283 |
11 | Critical Reflections on the Traditional Japanese View of Truth | 297 |
12 | Japan, the Dubious, and Myself | 313 |
Contributors | 327 | |
Index | 331 |
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