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Foreword | ix | |
Acknowledgements | xii | |
1 | Introduction | 1 |
Schulz, Levi, Spiegelman: why these three? | 1 | |
Modes, and especially the question of fiction | 5 | |
Terminology | 6 | |
2 | Memory's Attributes | 9 |
The compulsion to remember | 13 | |
Survivors' memories: happy ending or moral vacuum? | 17 | |
Memory as preparation | 23 | |
3 | Bruno Schulz | 37 |
Schulz and the Holocaust: inklings of catastrophe? | 37 | |
Narrative and Contingency | 43 | |
'August' | 44 | |
'Visitation' | 48 | |
'Pan' | 49 | |
'Cinnamon Shops' | 52 | |
'The Street of Crocodiles' | 66 | |
4 | Primo Levi | 87 |
Levi and memory | 87 | |
Ricordati: 'carried in the heart' | 88 | |
Memory and If This is a Man | 91 | |
'On the Bottom' | 95 | |
'Chemical Examination' | 99 | |
'The Canto of Ulysses' | 104 | |
Memory and The Mirror Maker | 108 | |
Memory and The Drowned and the Saved | 115 | |
Memory at last | 124 | |
Ricordati: 'carried in the heart'. Or carved in the heart? | 126 | |
5 | Art Spiegelman | 131 |
'Reality is too complex for comics' | 131 | |
Maus I | 'No one wants anyway to hear such stories' | 135 |
Maus II | 'More I don't need to tell you' | 152 |
6 | Conclusion: Remembering in Future | 188 |
Bibliography | 197 | |
Index | 205 |
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