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Book Categories |
Preface | ||
Introduction | 3 | |
1 | Poem as Fact: The Historical Method in Literary Criticism | 7 |
2 | Stage Directions for Sophocles' Oedipus the King | 14 |
3 | Oedipus Pharmakos? Alleged Scapegoating in the Play | 29 |
4 | Asserting Eternal Providence: The Question of Guilt | 45 |
5 | The Authority of Prophecy: Theodicy in the play | 59 |
6 | Reading the Name of Oedipus and Other Riddles | 70 |
7 | The Humiliation of Oedipus | 76 |
8 | Conclusion | 82 |
App. A | The Date of the Play | 87 |
App. B | The Scene of the Crime | 89 |
App. C | The Meaning of [actual symbol not reproducible](786) | 91 |
Notes | 93 | |
Abbreviations | 123 | |
Bibliography | 125 | |
Index | 143 |
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Add The Theatre of Apollo : Divine Justice and Sophocles' Oedipus the King, By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E.R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant,, The Theatre of Apollo : Divine Justice and Sophocles' Oedipus the King to the inventory that you are selling on WonderClubX
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Add The Theatre of Apollo : Divine Justice and Sophocles' Oedipus the King, By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E.R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant,, The Theatre of Apollo : Divine Justice and Sophocles' Oedipus the King to your collection on WonderClub |