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Book Categories |
Preface | ||
Acknowledgments | ||
1 | Beyond the Rules | 1 |
2 | Structure | 17 |
3 | Critique of Restorative Three-Act Form | 30 |
4 | Counter-Structure | 39 |
5 | Working with Genre | 50 |
6 | Working Against Genre | 71 |
7 | Reframing the Active/Passive Character Distinction | 95 |
8 | Stretching the Limits of Character Identification | 109 |
9 | Main and Secondary Characters | 124 |
10 | Subtext, Action, and Character | 134 |
11 | The Primacy of Character Over Action: The Non-American Screenplay | 149 |
12 | The Subtleties and implications of Screenplay Form | 164 |
13 | Character, History, and Politics | 185 |
14 | Tone - The inescapability of Irony | 208 |
15 | Dramatic Voice/Narrative Voice | 232 |
16 | Writing the Narrative Voice | 241 |
17 | Rewriting | 251 |
18 | Personal Scriptwriting - The Edge | 259 |
19 | Personal Scriptwriting: Beyond the Edge | 276 |
Index | 287 |
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Add Alternative Scriptwriting: Writing Beyond the Rules, This new edition of Alternative Scriptwriting brings into sharper focus both mainstream and more personal and experimental narrative forms. Many new examples and updated case studies, both American and international, are included, reflecting changes in al, Alternative Scriptwriting: Writing Beyond the Rules to the inventory that you are selling on WonderClubX
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Add Alternative Scriptwriting: Writing Beyond the Rules, This new edition of Alternative Scriptwriting brings into sharper focus both mainstream and more personal and experimental narrative forms. Many new examples and updated case studies, both American and international, are included, reflecting changes in al, Alternative Scriptwriting: Writing Beyond the Rules to your collection on WonderClub |