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Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean Book

Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean
Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean, If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis, Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean has a rating of 4 stars
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Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean, If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis, Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean
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  • Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean
  • Written by author Mildred Mortimer
  • Published by The Rowman & Littlefield Publishing Group Inc, November 2007
  • If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis
  • Writing from the Hearth probes the relationship of gender to space in close readings of texts of Francophone women writers of Africa: Aoua KZita, Mariama B%, Calixthe Beyala, and Aminata Sow Fall, and the Caribbean: Marie Chauvet, Simon Schwarz-Ba
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Authors

Preface     ix
Acknowledgments     xv
Introduction: Space, Place, and Gender     1
Women and Public Space     35
Aoua Keita, Femme d'Afrique, la vie d'Aoua Keita racontee par elle-meme
Maryse Conde, Moi Tituba Sorciere...Noire de Salem
The Nurturing Hearth     71
Mariama Ba, Une si longue lettre
Simone Schwarz-Bart, Pluie et vent sur Telumee-Miracle
The Cold Hearth     117
Calixthe Beyala, C'est le soleil qui m'a brulee and La Petite Fille du reverbere
Marie Chauvet, Amour
Mobile Homes     151
Aminata Sow Fall, Douceurs du bercail
Edwidge Danticat, Breath, Eyes, Memory: Rewriting Home
Conclusion     187
Bibliography     193
Index     203
About the Author     207


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Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean, If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis, Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean

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Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean, If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis, Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean

Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean

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Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean, If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis, Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean

Writing from the Hearth: Public, Domestic, and Imaginative Space in Francophone Women's Fiction of Africa and the Caribbean

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