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Illustrations VIII
Acknowledgments IX
List of abbreviations XI
Introduction: Reconsidering counterrevolutionary expression 1
In the theater of counterrevolution: loyalist association and vernacular address 19
"Study to be quiet": Hannah More and counterrevolutionary moral reform 55
Reviewing subversion: the function of criticism at the present crisis 96
Subverting fictions: the counterrevolutionary form of the novel 150
Southey, Coleridge, and the end of anti-Jacobinism in Britain 207
Notes 253
Bibliography 295
Index 311
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John Stoltz
reviewed Writing Against Revolution: Literary Conservatism in Britain, 1790-1832 on February 08, 2011
Writing Against Revolution: Literary Conservatism in Britain, 1790-1832
I read the intro and I'm reading the sections on/by Quammen, Ray, Oelschlaeger, Ortiz, and Sanders. Based on the intro, those were the ones that interested me. I'm more interested in the stuff about how place influences us, not so much on things generally seen as environmentalism or nature writing I guess. (Although I am sort of wondering if I'll eventually find that is an artificial or otherwise crappy division I am making.)
I was surprised in the intro to hear the editors sort of misgivings about how they paired (originally) oral interviews with written responses and how this created a sort of imbalance. I got the sense that there were some heated exchanges. As I read, I'm looking for those. I'm seeing a few responses that I could see being sort of feather-ruffling, let's say. And some of them seem kinda dirty. Not sure what to do with this, but it is interesting.
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Add Writing Against Revolution: Literary Conservatism in Britain, 1790-1832, Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to a, Writing Against Revolution: Literary Conservatism in Britain, 1790-1832 to the inventory that you are selling on WonderClubX
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Add Writing Against Revolution: Literary Conservatism in Britain, 1790-1832, Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to a, Writing Against Revolution: Literary Conservatism in Britain, 1790-1832 to your collection on WonderClub |
