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Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince Book

Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince
Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince has a rating of 3 stars
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Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince
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  • Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince
  • Written by author SunHee Kim Gertz
  • Published by Palgrave Macmillan, April 2010
  • Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e
  • Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d’Anjou (1409-1480), Geoffrey Chaucer’s House of Fame (ca. 1375-1380), and Edward the Blac
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Authors

List of Illustrations xi

Preface xiii

Acknowledgments xix

Introduction 1

1 Fame and Fürstenspiegel 13

2 René d'Anjou's Negotiations with Fame: Creating for a Future Past 33

3 Chaucer's House of Fame: The Quasi-Iconoclastic Present 69

4 Edward the Black Prince, the Future King 105

Conclusion 141

Notes 145

Works Cited 199

Previous Publications SunHee Kim Gertz 223

Index 225


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Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince

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Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince

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Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince

Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince

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