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List of Illustrations xi
Preface xiii
Acknowledgments xix
Introduction 1
1 Fame and Fürstenspiegel 13
2 René d'Anjou's Negotiations with Fame: Creating for a Future Past 33
3 Chaucer's House of Fame: The Quasi-Iconoclastic Present 69
4 Edward the Black Prince, the Future King 105
Conclusion 141
Notes 145
Works Cited 199
Previous Publications SunHee Kim Gertz 223
Index 225
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![]() Add Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince to the inventory that you are selling on WonderClubX
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![]() Add Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince, Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d' Anjou (1409–1480), Geoffrey Chaucer's House of Frame (ca. 1375–1380), and Edward the Black Prince (1330-1376) e, Visual Power and Fame in Rene D'Anjou, Geoffrey Chaucer, and the Black Prince to your collection on WonderClub |