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Acknowledgments | ||
Foreword | ||
Introduction | 1 | |
I | Planes, Trains, and Automobiles: Utopia in Transit | |
1 | Getting to Utopia: Railways and Heterotopia in Children's Literature | 23 |
2 | American Boys' Series Books and the Utopia of the Air | 38 |
3 | Travels through Dystopia: H. G. Wells and The Island of Dr. Moreau | 52 |
II | Community and Socialism | |
4 | Sarah Fielding's Childhood Utopia | 57 |
5 | Tinkers and Time Machines: Time Travel in the Social Fantasy of E. Nesbit and H. G. Wells | 72 |
6 | The Writing on the Wall of Redwall | 89 |
7 | 'Joy but Not Peace': Zilpha Keatley Snyder's Green-sky Trilogy | 107 |
8 | Terrible Lizard Dream Kingdom | 118 |
9 | Bridge to Utopia | 123 |
III | Child Power | |
10 | Suffering in Utopia: Testing the Limits in Young Adult Novels | 127 |
11 | Educating Desire: Magic, Power, and Control in Tanith Lee's Unicorn Trilogy | 139 |
12 | The Struggle between Utopia and Dystopia in Writing for Children and Young Adults | 156 |
IV | From the Wreckage: Post-World War II Dystopias and Utopias | |
13 | Presenting the Case for Social Change: The Creative Dilemma of Dystopian Writing for Children | 163 |
14 | The Quest for the Perfect Planet: The British Secondary World as Utopia and Dystopia, 1945-1999 | 179 |
Interview with Lois Lowry, author of The Giver | 196 | |
Annotated Bibliography of Utopian and Dystopian Writing for Children and Young Adults | 200 | |
Afterword | 232 | |
Contributors | 235 | |
Author Index | 239 | |
Subject and Title Index | 241 |
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