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Editors' Introduction | 1 | |
Women, Woman, and the Subject of Feminism: Feminist Directions | 11 | |
1 | Interpreting the Text | 35 |
Encountering Dora: Putting Theory into Practice | 37 | |
The Split Subject of Blood Relations | 53 | |
Top Girls and the Politics of Representation | 67 | |
Black Text, White Director: Issues of Race and Gender in Directing African-American Drama | 79 | |
2 | Subverting the Text | 89 |
Strategies for Subverting the Canon | 91 | |
Ways of Looking at Agnes de Castro (1695): A Lesbian History Play at WOW Cafe | 107 | |
Resisting the Birth Mark: Subverting Hawthorne in a Feminist Theory Play | 121 | |
Split Britches and the Alcestis Lesson: ("What Is This Albatross?") | 133 | |
3 | Constructing the Text | 151 |
Wearing Red: When a Rowdy Band of Charismatics Learned to Say "NO!" | 153 | |
Straddling Discourses | 177 | |
"Broads" Too Tight to Sing | 193 | |
Directing Stein | 211 | |
4 | Rehearsing the Text | 233 |
"I Wanna Be Great!": How to Rescue the Spirit in the Wasteland of Fame | 235 | |
A New Way to Pay Old Debts: The Playwright Directs Her Own | 253 | |
Codirecting: A Model for Men Directing Feminist Plays | 263 | |
Paper Dolls: Playthings That Hurt | 277 | |
"No:..but"/"Not-Not-Me": Musings on Cross-Gender Performance | 291 | |
An interview with Amy Gonzalez: "All Ears, to Let My Ideas Transform" | 309 | |
Aftermath: Surviving the Reviews | 317 | |
Contributors | 325 |
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