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Book Categories |
Preface | ||
Ch. 1 | Orientation | 1 |
Ch. 2 | The mask : art object, pedagogical tool or transformational mechanism? | 21 |
Ch. 3 | Masks and Balinese culture | 49 |
Ch. 4 | Japanese mask tradition and Noh drama | 101 |
Ch. 5 | Balinese masks in practice | 169 |
Ch. 6 | Noh masks in performance | 241 |
Ch. 7 | The consciousness of the masked actor | 287 |
Ch. 8 | The mask and transformation | 319 |
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Add Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama, In this comparison of Japanese Noh theater and the Topeng and Calonarang traditions of Bali, Coldiron, an actress, teacher and theater director, focuses on the relationship of the performer to the mask, but within the confines of that narrow topic she is , Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama to the inventory that you are selling on WonderClubX
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Add Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama, In this comparison of Japanese Noh theater and the Topeng and Calonarang traditions of Bali, Coldiron, an actress, teacher and theater director, focuses on the relationship of the performer to the mask, but within the confines of that narrow topic she is , Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama to your collection on WonderClub |