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Acknowledgements Introduction: You've Got to be Jazzistic
i. So Black and Blue: Music, Image, Identity
1. "You Ain't Got to Be Black to be Black": Music, Race, Consciousness, and Identity in The Autobiography of an Ex-Colored Man and Mojo Hand, Nick Heffernan
2. Blackface Minstelstry and Jazz Signification in Hollywood's Early Sound Era, Corin Willis
ii. Paging the Devil: Jazz and Blues Poetics
3. "Thanks, Jack, for That": The Strange Legacies of Sterling Brown, Steven C. Tracy
4. Phraseology: An Interview with Michael S. Harper
5. Paul Beatty's "White Boy Shuffle" Blues: Jazz Poetry, John Coltrane, and the Post-Soul Aesthetic, Bertram Ashe
6. Giving Voice: An Interview with Jayne Cortez
7. "Out of this World": Music and Spirit in the Writings of Nathaniel Macket and Amiri Baraka, David Murray
iii. Until the Real Thing: Biography, Autobiography, and Other Fictions
8. Blaxploitation Bird: Ross Russell's Pulp Addiction, John Gennari
9. How Many Miles? Alternate Takes on the Jazz Life, Krin Gabbard
iv. Second Balcony Jump: Unsettling the Score
10. "A Rebus of Democratic Slants and Angles": To Have and Have Not, Racial Representation and Musical Performance in a Democracy at War, Ian Brookes
11. "No Brotherly Love": Hollywood Jazz, Racial Prejudice and John Lewis's Score for Odds Against Tomorrow, David Butler
12. Anatomy of a Movie: Duke Ellington and 1950s Film Scoring, Mervyn Cooke
v. Criss Cross: Jazzisticologics
13. Jumping Tracks: The Path of Conduction, Michael Jarrett
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