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Preface and Acknowledgments | ||
List of Illustrations | ||
Introduction: Art as a Tool of Christian Conversion | 1 | |
Ch. 1 | The Millennium of the Mendicant Friars | 13 |
Ch. 2 | The Cross and the Tree: The Christian Convento as Indian Cosmos | 35 |
Ch. 3 | The Arch and the Cave: Open Chapels in the Yucatan | 73 |
Ch. 4 | Indians and Renaissance Art: Fray Pedro de Gante's School of Art at San Jose de Los Naturales | 107 |
Ch. 5 | Christian Murals by Indian Artists | 129 |
Ch. 6 | The Convento as Theater: Medieval Autos and Nahua Neixcuitilli | 155 |
Ch. 7 | Stage and Scenery | 173 |
Ch. 8 | The Cloister as Theater: Adam and Eve Lost in Aztec Paradise | 207 |
Ch. 9 | The Convento as Theater of Memory | 237 |
Ch. 10 | "El Dorado": The Desolate Desert Conventos of New Mexico, 1598-1700 | 247 |
Ch. 11 | Religious Architecture in "Those Most Remote Provinces" | 271 |
Notes | 299 | |
Bibliography | 330 | |
Index | 345 |
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Add Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico, Mexico's churches and conventos display a unique blend of European and native styles. Missionary Mendicant friars arrived in New Spain shortly after Cortes's conquest of the Aztec empire in 1521 and immediately related their own European architectural and, Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico to the inventory that you are selling on WonderClubX
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Add Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico, Mexico's churches and conventos display a unique blend of European and native styles. Missionary Mendicant friars arrived in New Spain shortly after Cortes's conquest of the Aztec empire in 1521 and immediately related their own European architectural and, Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico to your collection on WonderClub |