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Acknowledgments | ||
Introduction | 1 | |
1 | Old English Meter | 6 |
1.1 | Misreadings of Old English Meter | 6 |
1.2 | Syllable Count | 9 |
1.3 | Tendency Statements as Constraints on Dips | 13 |
1.4 | Resolution, Kuhn's Laws, and the Antepenultimate Syllable | 16 |
1.5 | Alternating Rhythm and Clashing Stress | 26 |
1.6 | Old English: Stress-Timed or Syllable-Timed? | 30 |
1.7 | The Derivativeness of Sievers' Five Types | 37 |
2 | Old English Rhythmical Prose and Early Middle English Meter | 41 |
2.1 | Disjunctions and Continuities in Metrical Style | 41 |
2.2 | AElfric's Rhythmical Prose | 42 |
2.3 | The End of the Classical Meter: The Death of Edward (1066) and Durham (c. 1100) | 52 |
2.4 | The Grave (c. 1150) | 56 |
2.5 | The Worcester Fragments (c. 1170) | 57 |
2.6 | Lawman's Brut (c. 1200) | 58 |
2.7 | The Katherine Group (c. 1200) | 63 |
3 | Fourteenth-Century Meter: Final -e | 66 |
3.1 | Surprising Facts | 66 |
3.2 | Old Norse Loans | 69 |
3.3 | Old French Loans | 71 |
3.4 | Native Words | 72 |
3.5 | Double Feminine Endings | 74 |
3.6 | Phonological Rules | 76 |
3.7 | The Structure of the Evidence and the Argument | 81 |
3.8 | Systematic Final -e | 83 |
4 | Fourteenth-Century Meter: The Abstract Pattern | 85 |
4.1 | The Count of Stresses and the Regulation of Dips | 85 |
4.2 | Oakden's Evidence | 87 |
4.3 | Distributional Evidence from Cleanness | 89 |
4.4 | A Theory of Middle English Alliterative Meter | 91 |
4.5 | The Structure of the Evidence and the Argument | 94 |
4.6 | Generalizations and Exceptions | 99 |
4.7 | Abduction | 103 |
5 | The Modes of English Meter | 114 |
5.1 | The Central Rift in English Prosody | 114 |
5.2 | Modern Manifestations of Strong Stress | 115 |
5.3 | The Decasyllabic Meter of Chaucer and Gascoigne | 117 |
5.4 | The Iambic Pentameter of Modern English | 122 |
5.5 | The Five Elements and Four Compound Modes of English Meter | 128 |
5.6 | Strong-Stress Meter Again | 129 |
6 | Theoretical Implications | 132 |
6.1 | The English Alliterative Tradition | 132 |
6.2 | Meter in Modern Theory and in the Poet's Mind | 133 |
6.3 | Meter, Performance, and Pause in Iambic Pentameter | 134 |
6.4 | Pause and Ictus in Old English Meter | 137 |
6.5 | The Modes of English Meter in Their Temporal Setting | 151 |
6.6 | Multiple Mental Texts | 152 |
Appendix | 155 | |
Notes | 163 | |
Bibliography | 177 | |
Index | 185 |
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Add The English alliterative tradition, The meter of Middle English alliterative poetry, Thomas Cable contends, holds the key to a reinterpretation of both Old English meter and iambic pentameter, which in turn provides a new understanding of Middle English meter itself. Drawing upon recent ins, The English alliterative tradition to the inventory that you are selling on WonderClubX
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Add The English alliterative tradition, The meter of Middle English alliterative poetry, Thomas Cable contends, holds the key to a reinterpretation of both Old English meter and iambic pentameter, which in turn provides a new understanding of Middle English meter itself. Drawing upon recent ins, The English alliterative tradition to your collection on WonderClub |