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List of Plates | viii | |
Preface | xi | |
Foreword | xiii | |
Introduction | xv | |
Introductory Note | xxiv | |
I. | Mexico | |
Part I. | Fragments from Early Daybooks | |
1. | Boy and Camera. Undated | 3 |
2. | "Notes from N.Y. Nov. 1922" | 4 |
3. | Discussion on Definition, April 1923 | 9 |
Part II. | Mexico, August 1923-December 1924 | |
1. | "Romantic Mexico" | 13 |
2. | "Heroic Heads" | 30 |
3. | The Thing Itself | 54 |
4. | Landscapes and Still Lifes | 87 |
Part III. | California, January-August 1925 | |
1. | "I Felt Myself a Foreigner" | 113 |
2. | Letters to Tina | 115 |
Part IV. | Mexico, August 1925-November 1926 | |
1. | "Life through My Camera" | 125 |
2. | "Mexico Breaks One's Heart" | 162 |
3. | "The Beginning of a New Art" | 203 |
II. | California | |
Part I. | Glendale, January 1927-July 1928 | |
1. | Return to the Past | 3 |
2. | The Chambered Nautilus and the Dancing Nude | 10 |
3. | Subject Matter and Life Today | 24 |
4. | The Shells in Mexico: Letters from Tina Modotti | 31 |
5. | "Finely moving rhythms" | 37 |
6. | "My only reason for existence--" | 42 |
7. | The Desert | 57 |
Part II. | San Francisco, August-December 1928 | |
1. | The Skylight | 69 |
2. | "Now that I stand almost alone--" | 78 |
3. | Weary of Cities | 95 |
Part III. | Carmel, January 1929-December 1934 | |
1. | "This new life--" | 107 |
2. | "Point Lobos! I saw it with different eyes--" | 114 |
3. | Robinson Jeffers | 123 |
4. | "Peppers, my wonder and vision increasing--" | 128 |
5. | "So that the buckeye isn't one--" | 136 |
6. | "High praise ... I work all the harder--" | 140 |
7. | "How little subject matter counts in the ultimate reaction!" | 146 |
8. | "The stark beauty a lens can so exactly render--" | 147 |
9. | "The flame of recognition--" | 151 |
10. | "Unretouched portraits" | 167 |
11. | "Composition is a way of seeing--" | 170 |
12. | Jose Clemente Orozco | 177 |
13. | "Reality makes him dream--" | 189 |
14. | "I am the adventurer on a voyage of discovery--" | 206 |
15. | "Things seen into things known" | 221 |
16. | Transition--"a way I have been seeing lately--" | 226 |
17. | "Nature, the great stimulus--" | 239 |
18. | East Coast vs. West Coast--"Theatrical?" | 250 |
19. | The Mass and the Individual | 256 |
20. | "A book on my work--" | 263 |
21. | Group f/64 | 264 |
22. | "End of a period--" | 269 |
23. | Landscapes--"the heavens and earth become one--" | 275 |
24. | "Peace to enjoy, fulfill, this beauty--" | 283 |
Part IV. | Carmel, April 22, 1944 | |
"Ten Years--" | 287 | |
Glossary of Mexican Words and Phrases | 289 | |
Edward Weston's Technique | 291 | |
Acknowledgments | 294 | |
Selected Bibliography | 295 | |
Index | 297 |
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Add The Daybooks of Edward Weston, For more than fifteen years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society, and his medium. Seldom has an artist written about his life as vividly, intimately, or sensitively. His journal has become a clas, The Daybooks of Edward Weston to the inventory that you are selling on WonderClubX
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Add The Daybooks of Edward Weston, For more than fifteen years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society, and his medium. Seldom has an artist written about his life as vividly, intimately, or sensitively. His journal has become a clas, The Daybooks of Edward Weston to your collection on WonderClub |