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"It's ten to two in the afternoon and I've been waiting for my little sister, Vivian since one-thirty. She's finally coming home at sixty-six years old, after an absence of over forty years."
And so begins the tale of two sisters, Ginny and Vivian, reunited after a long estrangement. Ginny's been living in the family's sprawling Victorian home--now creaking and leaking, with a ghost of its lavish past lingering--and keeping mostly to herself. But Vivian's arrival shakes up her sister's carefully ordered world, bringing old memories and resentments to the surface. What dark, unspoken secrets are hiding in the family's past?
We soon learn that Ginny and Vivian were born into a long line of distinguished lepidopterists, scientists who study moths and butterflies. Their eccentric father continued the family tradition, and was completely devoted to his work, spending long hours in the laboratory on the upper floor of the house and eventually apprenticing young Ginny as his assistant. As the years passed, his determination to make his mark in this elite field consumed the entire household. Ginny and Vivian's mother, lonely and neglected by her husband, descended into alcoholism and violent mood swings. And before long, rifts opened that may never be repaired.
Now, so many years later, the sisters are drawn back into this stormy world of their childhood. But Ginny is ever observant of the present, wondering why her sister has returned, keeping track of her every move, refusing to accept Vivian's version of their past. As Ginny becomes more and more agitated, she turns to what she can understand and control: her beloved science. And, perhaps more like her father than anyonerealizes, she finds herself tempted by the "most convenient solution."
Told through Ginny's unforgettably eerie voice--both childlike and sinister--this is a haunting novel about passion, trust, betrayal, and a family that destroys itself in the name of love.
Adams, who has made documentary films for the Discovery Channel, writes sparkling prose and expertly weaves into the action what seems an inexhaustible knowledge of moths…With its stylish prose, taut plotting and dark psychology, The Sister is reminiscent of the best books by Ruth Rendell's alter ego, Barbara Vine. And it comes with a bonus: that storehouse of information about moths. After reading this remarkably assured first novel, you may find yourself looking at those poor cousins to butterflies with a new sense of respect and fear.
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