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Introduction : loose canons | 1 | |
1 | High instincts and real presences : two romantic responses to the death of beauty | 19 |
2 | Romanticism, post-romanticism, and the afterlife of cultural authority | 35 |
3 | The life of the dead : Laura riding and the history of twentieth-century writing | 50 |
4 | My Kinsman Walter Scott | 71 |
5 | Tennyson and the artists of the beautiful | 88 |
6 | Beauty, a (nineteenth-century) user's manual | 104 |
7 | Mr. James and his discovery | 121 |
8 | Interpretation as a game that must be lost | 135 |
9 | Visible language, interface, IVANHOE | 148 |
10 | Impossible fiction; or, the importance of being John Cowper Powys | 175 |
11 | Beauty, the irreal, and the willing assumption of disbelief | 190 |
Coda : the scholar's art | 211 |
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Add The Scholar's Art: Literary Studies in a Managed World, For Jerome McGann, the purpose of scholarship is to preserve and pass on cultural heritage, a feat accomplished through discussion among scholars and interested nonspecialists. In The Scholar's Art, a collection of thirteen essays, McGann both addr, The Scholar's Art: Literary Studies in a Managed World to the inventory that you are selling on WonderClubX
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Add The Scholar's Art: Literary Studies in a Managed World, For Jerome McGann, the purpose of scholarship is to preserve and pass on cultural heritage, a feat accomplished through discussion among scholars and interested nonspecialists. In The Scholar's Art, a collection of thirteen essays, McGann both addr, The Scholar's Art: Literary Studies in a Managed World to your collection on WonderClub |