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The Historical Film Book

The Historical Film
The Historical Film, Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites , The Historical Film has a rating of 4 stars
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The Historical Film, Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites , The Historical Film
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  • The Historical Film
  • Written by author Marcia Landy
  • Published by Rutgers University Press, October 2000
  • "Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites
  • "Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites
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Authors

Preface
Introduction1
How to Look at an "Historical" Film25
The Historical Film: Looking at the Past in a Postliterate Age50
Making History67
Historical Pleasures: Gainsborough Costume Melodrama98
Projecting Ancient Rome125
"You Remember Diana Dors, Don't You?" History, Femininity, and the Law in 1950s and 1980s British Cinema143
The Presence of the Past: Rainer Werner Fassbinder's The Marriage of Maria Braun173
Schindler's List Is Not Shoah: The Second Commandment, Popular Modernism, and Public Memory201
Walker and Mississippi Burning: Postmodernism versus Illusionist Narrative218
Empire as Myth and Memory235
Black God, White Devil: The Representation of History249
Official History, Popular Memory: Reconfiguration of the African Past in the Films of Ousmane Sembene261
Information, Crisis, Catastrophe269
History, the Eternal Rerun: On Crime Story286
History on Television: The Making of Cold War, 1998294
Ken Burns's Rebirth of a Nation: Television, Narrative, and Popular History303
Interrotroning History: Errol Morris and the Documentary of the Future316
Select Bibliography331
Contributors335
Index339


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The Historical Film, Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites , The Historical Film

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The Historical Film, Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites , The Historical Film

The Historical Film

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The Historical Film, Landy's book is a useful blessing. . . . [The book] raises queries on the uses of historical films, their genres, and what they are meant to convey, in a way that opens the reader to inquiry into current theoretical bases for film study. Thus it invites , The Historical Film

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