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Part I Introduction
1. Rethinking Post-World War I Classics: Recovering the Historical Context of the Mobilization
2. Methodology and the Study of Modernist Fiction Part II Fitzgerald, Hemingway, Faulkner, and the 1920s
3. The Great Gatsby and the Great War Army: Ethnic Egalitarianism, Intelligence Testing, the New Man, and the Charity Girl
4. The Sun Also Rises and "Mobilization Wounds": Emasculation, Joke Fronts, Military School Wannabes, and Postwar Jewish Quotas
5. The Sound and the Fury and Military Rejects: The Feebleminded and the Postmobilization Erotic Triangle
6. Postmobilization Romance: Transforming Military Rejection into Modernist Tragedy and Symbolism Part III The 1930s and After
7. Postmobilization Kinkiness: Barnes, West, Miller, and the Military's Frankness about Sex and Venereal Disease
8. The Sound and the Fury Redux and the End of the World War I Mobilization Novel Afterword: Here We Go Again: World War II Mobilization Blues in William Burroughs's Junky Notes Index Illustrations
Part I Introduction
1. Rethinking Post-World War I Classics: Recovering the Historical Context of the Mobilization
2. Methodology and the Study of Modernist Fiction
Part II Fitzgerald, Hemingway, Faulkner, and the 1920s
3. The Great Gatsby and the Great War Army: Ethnic Egalitarianism, Intelligence Testing, the New Man, and the Charity Girl
4. The Sun Also Rises and "Mobilization Wounds": Emasculation, Joke Fronts, Military School Wannabes, and Postwar Jewish Quotas
5. The Sound and the Fury and Military Rejects: The Feebleminded and the Postmobilization Erotic Triangle
6. Postmobilization Romance: Transforming Military Rejection into Modernist Tragedy and Symbolism
Part III The 1930s and After
7. Postmobilization Kinkiness: Barnes, West, Miller, and the Military's Frankness about Sex and Venereal Disease
8. The Sound and the Fury Redux and the End of the World War I Mobilization Novel
Afterword: Here We Go Again: World War II Mobilization Blues in William Burroughs's Junky
Notes Index
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Add The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization, Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner stand as the American voice of the Great War. But was it warfare that drove them to write? Not according to Keith Gandal, who argues that the authors' famous postwar novels were motivated no, The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization to the inventory that you are selling on WonderClubX
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Add The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization, Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner stand as the American voice of the Great War. But was it warfare that drove them to write? Not according to Keith Gandal, who argues that the authors' famous postwar novels were motivated no, The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization to your collection on WonderClub |