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| Preface | ||
| Introduction | 3 | |
| 1 | Discovering the Past | 37 |
| 2 | The Occult Tradition in The Cantos | 96 |
| 3 | Nietzsche, Wagner, and Myth | 157 |
| 4 | Pound's Editing of The Waste Land | 231 |
| Conclusion | 280 | |
| Bibliography | 291 | |
| Index | 307 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Natonya Alexander
reviewed The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult on August 19, 2007
The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult
Solid (albeit at times repetitive) critique of the parlor rhetoric of the postbellum period and the turn of the 20th century that encouraged and even forced women back into the parlor/home, erased female orators from the history book and gendered available means. The primary sources are first rate--and you'll be shocked how some of these writers on etiquette were telling women how to act. Nan Johnson explores and exposes a rhetoric of silencing painted as "moral duty." Fascinating stuff.
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Add The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult, While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult to the inventory that you are selling on WonderClubX
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Add The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult, While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult to your collection on WonderClub |