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Spy Fiction, Spy Films and Real Intelligence Book

Spy Fiction, Spy Films and Real Intelligence
Spy Fiction, Spy Films and Real Intelligence, This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays , Spy Fiction, Spy Films and Real Intelligence has a rating of 3 stars
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Spy Fiction, Spy Films and Real Intelligence, This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays , Spy Fiction, Spy Films and Real Intelligence
3 out of 5 stars based on 2 reviews
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  • Spy Fiction, Spy Films and Real Intelligence
  • Written by author Wesley K. Wark
  • Published by Taylor & Francis, Inc., March 1991
  • This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays
  • This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays
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Authors

Introduction - fictions of history, Wesley K. Wark; secret negotiations - the spy figure in 19th century American popular fiction, Christine Bold; the politics of adventure in the early British spy novel, David Trotter; decoding German spies - British spy fiction, 1908-18, Nicholas Hiley; English spy thrillers in the age of appeasement, Eric Homberger; Ireland in spy fiction, Keith Jeffery and Eunan O'Halpin; "Our Man in Havana", their man in Madrid - literary invention in espionage fact and fiction, Denis Smyth; the develpoment of the espionage film, Alarn R. Booth; ethics and spy fiction, J.J. MacIntosh; spy fiction and terrorism, Philip Jenkins; why I write spy fiction, John Starnes; critical afterthoughts and alternative historico-literary theories, D. Cameron Watt.


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Spy Fiction, Spy Films and Real Intelligence, This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays , Spy Fiction, Spy Films and Real Intelligence

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Spy Fiction, Spy Films and Real Intelligence, This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays , Spy Fiction, Spy Films and Real Intelligence

Spy Fiction, Spy Films and Real Intelligence

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Spy Fiction, Spy Films and Real Intelligence, This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers insights into the development and symbolism of spy fiction. Collectively, the essays , Spy Fiction, Spy Films and Real Intelligence

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