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Foreword: The Artful and Crafty Ones of the French Quarter | ||
Acknowledgments | ||
Introduction: Building Literary Louisiana, 1865-1945 | 1 | |
Women, Work, and Culture in Reconstruction Louisiana | ||
Sallie Rhett Roman of the New Orleans Times-Democrat: Race, Women, and Southern Aristocracy in the Novellas, Tonie (1900) and Folette of Timbalier Island (1900) | 25 | |
Under Reconstruction: Lafcadio Hearn in New Orleans (1877-1887) | 35 | |
"Do You Not Know That Women Can Make Money?": Women and Labor in Louisiana Literature | 49 | |
Living "Amid Romance": Ethnic Cultures in Ruth McEnery Stuart's New Orleans Stories | 65 | |
Depictions of Race and Class, 1865-1945 | ||
Behind the "White Veil"; Alice Dunbar-Nelson, Creole Color, and The Goodness of St. Rocque | 77 | |
Masking and Racial Passing at Mardi Gras in Lyle Saxon's "Have a Good Time While You Can" | 89 | |
The "All-Seeing Eye" in Grace King's Balcony Stories | 99 | |
Bleaching the Color Line: Caste Structures in Lyle Saxon's Children of Strangers and Zora Neale Hurston's Their Eyes Were Watching God | 109 | |
The Irreducible African: Challenges to Racial Stereotypes in George W. Cable's The Grandissimes | 123 | |
Louisiana During the Modernist Period, 1919-1945 | ||
Cakewalks, Cauls, and Conjure: Folk Practices in Arna Bontemp's God Sends Sunday and "A Summer Tragedy" | 137 | |
William Faulkner's Two-Basket Stories | 149 | |
"'The nigger that's going to sleep with your sister'": Charles Bon as Cultural Shibboleth in Absalom, Absalom! | 159 | |
"Huey Long" as Deep South Dictator: A Lion Is in the Streets as Novel and Film | 169 | |
Mr. Pontellier's Cigar, Robert's Cigarettes: Opening the Closet of Homosexuality and Phallic Power in The Awakening | 183 | |
Selected Bibliography | 197 | |
Index | 205 | |
About the Editors and Contributors | 217 |
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Add Songs of the Reconstructing South: Building Literary Louisiana, 1865-1945, Vol. 11, The South has a rich cultural legacy and that of Louisiana is especially strong and diverse. Despite its similarities with the rest of the South, Louisiana has a distinct cultural identity rooted in the colonial impulses of France and Spain, the evolution, Songs of the Reconstructing South: Building Literary Louisiana, 1865-1945, Vol. 11 to the inventory that you are selling on WonderClubX
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Add Songs of the Reconstructing South: Building Literary Louisiana, 1865-1945, Vol. 11, The South has a rich cultural legacy and that of Louisiana is especially strong and diverse. Despite its similarities with the rest of the South, Louisiana has a distinct cultural identity rooted in the colonial impulses of France and Spain, the evolution, Songs of the Reconstructing South: Building Literary Louisiana, 1865-1945, Vol. 11 to your collection on WonderClub |