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Note to the Fourth Edition | ix | |
Preface | xi | |
Introduction | 3 | |
I. | Diction, or Which Words to Use | 13 |
Time Out for Good Reading I: Working and Thinking on the Waterfront | 53 | |
II. | Linking, or What to Put Next | 57 |
Time Out for Good Reading II: Aristotle on Detective Fiction | 104 | |
III. | Tone and Tune, or What Impression Will It Make? | 109 |
Time Out for Good Reading III: Language Defined | 142 | |
IV. | Meaning, or What Do I Want to Say? | 145 |
Time Out for Good Reading IV: Hints for Sawing | 181 | |
V. | Composition, or How Does It Hang Together? | 187 |
Time Out for Good Reading V: The Law as Guarantee of Free Speech | 221 | |
VI. | Revision, or What Have I Actually Said? | 227 |
Time Out for Good Reading VI | 252 | |
Hints Toward Improving the Quoted Sentences | 255 | |
Index of Words, Topics, and Authors | 259 |
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Add Simple and Direct: A Rhetoric for Writers, A fter a lifetime of writing and editing prose, Jacques Barzun has set down his view of the best ways to improve one's style. His discussions of diction, syntax, tone, meaning, composition, and revision guide the reader through the technique of making the, Simple and Direct: A Rhetoric for Writers to the inventory that you are selling on WonderClubX
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Add Simple and Direct: A Rhetoric for Writers, A fter a lifetime of writing and editing prose, Jacques Barzun has set down his view of the best ways to improve one's style. His discussions of diction, syntax, tone, meaning, composition, and revision guide the reader through the technique of making the, Simple and Direct: A Rhetoric for Writers to your collection on WonderClub |