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Foreword | ||
Preface | ||
Introduction | ||
Bibliographical note | ||
Good Advice | 3 | |
Descriptive Poetry | 3 | |
To Diotima | 3 | |
Diotima ('Bliss of the heavenly Muse ...') | 3 | |
Bonaparte | 5 | |
Empedocles | 5 | |
To the Fates | 7 | |
Diotima ('You suffer and keep silent and, strange to them ...') | 7 | |
To Her Genius | 9 | |
Plea for Forgiveness | 9 | |
Then and Now | 9 | |
The Course of Life ('High my spirit aspired ...') | 11 | |
Brevity | 11 | |
Human Applause | 11 | |
Home ('Content the boatman turns ...') | 13 | |
Good Faith | 13 | |
Her Recovery ('Nature, she who's your friend ...') | 13 | |
The Unpardonable | 15 | |
To the Young Poets | 15 | |
To the Germans ('Do not laugh ...') | 15 | |
The Sanctimonious Poets | 17 | |
Sunset | 17 | |
To Our Great Poets | 17 | |
Socrates and Alcibiades | 19 | |
Sophocles | 19 | |
The Angry Poet | 19 | |
The Root of All Evil | 19 | |
Man | 23 | |
Hyperion's Song of Fate | 25 | |
In my boyhood days ... | 27 | |
The Spirit of the Age | 29 | |
Evening Fantasy | 31 | |
In the Morning | 33 | |
The River Main | 35 | |
My Possessions | 37 | |
To Princess Augusta of Homburg | 41 | |
Go down, then, lovely sun ... | 43 | |
To the Germans ('Never laugh at ...') | 45 | |
Rousseau | 49 | |
Heidelberg (Alcaic version) | 51 | |
The Neckar | 53 | |
Home ('Content the boatman turns ...') | 55 | |
Love | 57 | |
The Course of Life ('More you also desired ...') | 59 | |
Her Recovery ('Nature, look, your most loved ...') | 61 | |
The Farewell (second version) | 63 | |
Diotima ('You suffer and keep silent, unknown ...') | 65 | |
Return to the Homeland | 67 | |
The Ancestral Portrait | 69 | |
The Departed | 71 | |
Exhortation (second version) | 73 | |
Nature and Art or Saturn and Jupiter | 75 | |
Sung beneath the Alps | 77 | |
The Poet's Vocation | 79 | |
Voice of the People (second version) | 83 | |
The Blind Singer | 87 | |
Chiron | 91 | |
Tears | 95 | |
To Hope | 97 | |
Vulcan | 97 | |
The Poet's Courage (first version) | 99 | |
Timidness | 101 | |
The Fettered River | 103 | |
Ganymede | 105 | |
The Archipelago | 111 | |
Menon's Lament for Diotima | 127 | |
The Traveller | 137 | |
Stuttgart | 143 | |
Bread and Wine | 151 | |
Homecoming | 159 | |
The Ages of Life | 171 | |
Half of Life | 171 | |
The Nook at Hardt | 173 | |
As on a holiday ... | 175 | |
At the Source of the Danube | 177 | |
The Journey | 183 | |
Germania | 189 | |
The Rhine | 197 | |
Celebration of Peace | 209 | |
The Only One (first version) | 219 | |
The Only One (second version) | 225 | |
Patmos | 231 | |
Patmos (fragments of the later version) | 243 | |
Remembrance | 251 | |
The Ister | 253 | |
Mnemosyne (third version) | 259 | |
German Song | 265 | |
Home ('And no one knows ...') | 267 | |
For when the grape-vine's sap ... | 269 | |
On fallow foliage ... | 269 | |
What is the life of men ... | 271 | |
What is God? ... | 271 | |
To the Virgin Mary | 273 | |
The Titans | 283 | |
At one time I questioned the Muse ... | 287 | |
But when the heavenly ... | 289 | |
The Eagle | 295 | |
You firmly built alps ... | 299 | |
Whatever is Nearest (third version) | 301 | |
Colombo | 305 | |
When there's a flaming ... | 313 | |
For from the abyss ... | 313 | |
Narcissi ... | 315 | |
In Socrates' Time | 317 | |
Greece (third version) | 317 | |
If from the distance ... | 325 | |
On the Birth of a Child | 327 | |
The world's agreeable things ... | 329 | |
To Zimmer ('The lines of life ...') | 329 | |
Conviction | 329 | |
The Merry Life | 329 | |
The Walk | 333 | |
Spring ('New day descends ...') | 333 | |
Summer ('When then the blooms ...') | 335 | |
Summer ('Still you can see ...') | 335 | |
Autumn ('Nature's bright gleam ...') | 337 | |
Winter ('When past, unseen ...') | 337 | |
Spring ('When springtime from the depth ...') | 339 | |
Index of German first lines | 341 | |
Index of English first lines | 345 | |
Index of German titles | 349 | |
Index of English titles | 351 |
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Add Selected Poems and Fragments, Friedrich Holderlin (1770-1843) is now recognized as one of Europe's supreme poets. Holderlin first found his true voice in the epigrams and odes he wrote when transfigured by his love for Susette Gontard, the wife of a rich banker, to whose children he w, Selected Poems and Fragments to the inventory that you are selling on WonderClubX
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Add Selected Poems and Fragments, Friedrich Holderlin (1770-1843) is now recognized as one of Europe's supreme poets. Holderlin first found his true voice in the epigrams and odes he wrote when transfigured by his love for Susette Gontard, the wife of a rich banker, to whose children he w, Selected Poems and Fragments to your collection on WonderClub |