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Acknowledgments | 7 | |
Introduction: Theories without an Identity, or Three Keys to the American Expression | 9 | |
1 | History through the "Imperfecta Copia": Lezama after Plato and Mariategui | 31 |
2 | Imperfect Copies II: Resistance and the Turning Other of the Same | 59 |
3 | Humanism, New Criticism, the Metaphorical Subject, and the Poetics of Intervention | 97 |
4 | Secondary Moderns: Catholicism, Resurrection, Desire and Death | 130 |
5 | Image, Friendship, Community, Freedom | 159 |
Notes | 182 | |
Works Cited | 194 | |
Index | 201 |
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Add Secondary Moderns Mimesis, History, and Revolution in Lezama Lima's "American Expression", Secondary Moderns examines Lezama Lima's analyses of Latin American history and culture. The study begins by carefully demonstrating how Lezama breaks with the modern Latin American intellectual tradition that has explored the question of Latin American i, Secondary Moderns Mimesis, History, and Revolution in Lezama Lima's \"American Expression\" to the inventory that you are selling on WonderClubX
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Add Secondary Moderns Mimesis, History, and Revolution in Lezama Lima's "American Expression", Secondary Moderns examines Lezama Lima's analyses of Latin American history and culture. The study begins by carefully demonstrating how Lezama breaks with the modern Latin American intellectual tradition that has explored the question of Latin American i, Secondary Moderns Mimesis, History, and Revolution in Lezama Lima's \"American Expression\" to your collection on WonderClub |