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| Introduction : the slave narrative and its postmodern counterpart | 1 | |
| Ch. 1 | The conflation of time in Ishmael Reed's Flight to Canada and Octavia Butler's Kindred | 25 |
| Ch. 2 | Ghosts, haunted houses, and the legacy of slavery : Toni Morrison's Beloved and the gothic impulse | 61 |
| Ch. 3 | Re-forming black subjectivity : symbolic transculturation in Charles Johnson's Oxherding tale and Middle passage | 77 |
| Ch. 4 | Beyond postmodernity : de-familiarizing the postmodern slave narrative | 100 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Laura Sullivan
reviewed Re-Forming the Past: History, the Fantastic, and the Postmodern Slave Narrative on July 12, 2014
Re-Forming the Past: History, the Fantastic, and the Postmodern Slave Narrative
Depending on how one counts, twelve people have EGOTed, that is, won an Emmy, Grammy, Oscar and Tony award and one of those is the late Mike Nichols, X'53 (that is UChicago speak for he attended The College but didn't graduate). Nichols attributed his success to his days as an improviser and all of that started during his time at The University and at the Compass Theater, where he performed with Elaine May, who seemingly attended classes at the University but was never officially a student. The Compass, originally located at 55th Street and University Avenue, was where improv was born in the U.S. and the work there eventually led to the creation of Second City and to much of American comedy as we know it. Janet Coleman's book sets out that history and should be of interest to anyone interested in comedy or the University of Chicago (and if you care about both, it is, as they say, a must read). 'Randal C. Picker
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Add Re-Forming the Past: History, the Fantastic, and the Postmodern Slave Narrative, In Re-Forming the Past, A. Timothy Spaulding examines contemporary revisions of slave narratives that use elements of the fantastic to redefine the historical and literary constructions of American slavery. In their rejection of mimetic representation an, Re-Forming the Past: History, the Fantastic, and the Postmodern Slave Narrative to the inventory that you are selling on WonderClubX
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Add Re-Forming the Past: History, the Fantastic, and the Postmodern Slave Narrative, In Re-Forming the Past, A. Timothy Spaulding examines contemporary revisions of slave narratives that use elements of the fantastic to redefine the historical and literary constructions of American slavery. In their rejection of mimetic representation an, Re-Forming the Past: History, the Fantastic, and the Postmodern Slave Narrative to your collection on WonderClub |
