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Preface | ||
Acknowledgements | ||
Abbreviations | ||
Note on transcription | ||
1 | Printers, authors and the rise of the editor | 1 |
2 | Editors and their methods | 19 |
3 | Humanists, friars and others: editing in Venice and Florence, 1470-1500 | 28 |
4 | Bembo and his influence, 1501-1530 | 48 |
5 | Venetian editors and 'the grammatical norm', 1501-1530 | 64 |
6 | Standardization and scholarship: editing in Florence, 1501-1530 | 79 |
7 | Towards a wider readership: editing in Venice, 1531-1545 | 90 |
8 | The editor triumphant: editing in Venice, 1546-1560 | 109 |
9 | In search of a cultural identity: editing in Florence, 1531-1560 | 127 |
10 | Piety and elegance: editing in Venice, 1561-1600 | 140 |
11 | A 'true and living image': editing in Florence, 1561-1600 | 155 |
Conclusion | 182 | |
Notes | 189 | |
Select bibliography | 235 | |
Index of Italian editions 1470-1600 | 242 | |
Index of manuscripts and annotated copies | 251 | |
General index | 252 |
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Add Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470-1600, The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who could strongly influence the interpretation and status of texts by determining the form and context in which they would be read. Brian Richar, Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470-1600 to the inventory that you are selling on WonderClubX
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Add Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470-1600, The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who could strongly influence the interpretation and status of texts by determining the form and context in which they would be read. Brian Richar, Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470-1600 to your collection on WonderClub |