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List of IllustrationsAcknowledgmentsIntroduction: The Pretty as Troublesome Image1. From Aesthetics to Film Aesthetics: Or, Beauty and Truth Redux2. Colors: Derek Jarman and Queer Aesthetics3. Ornament and Modernity: From Decorative Art to Cultural Criticism4. Objects: Oriental Style and the Arabesques of Moulin Rouge!5. At the Crossroads: Iconoclasm and the Anti-aesthetic in Postwar Film and Theory6. Forms: Soy Cuba and Revolutionary Beauty7. Perverse Prettiness: Sexuality, Gender, and Aesthetic Exclusion8. Bodies: The Sumptuous Charms of Ulrike OttingerPostscript: Toward a Worldly ImageNotesFilmographyBibliographyIndex
Columbia University Press
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Add Pretty: Film and the Decorative Image, Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represent, Pretty: Film and the Decorative Image to the inventory that you are selling on WonderClubX
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Add Pretty: Film and the Decorative Image, Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represent, Pretty: Film and the Decorative Image to your collection on WonderClub |