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Acknowledgements | ||
1 | Introduction: parents, bastards and orphans | 1 |
2 | Conrad's 'hopeless' binaries: Heart of Darkness and postcolonial interior journeys | 15 |
3 | 'On England's Desert Island cast away': protean Crusoes, exiled Fridays | 53 |
4 | Reclaiming ghosts, claiming ghosts: Caribbean and Canadian responses to the Brontes | 72 |
5 | Turned upside down? Dickens's Australia and Peter Carey's Jack Maggs | 102 |
6 | Encountering other selves: re-staging The Tempest | 127 |
7 | Removing the black-face: a different 'Othello music' | 155 |
8 | Conclusion and postscript: narrative agency in Pauline Melville's The Ventriloquist's Tale | 170 |
Bibliography | 186 | |
Index | 196 |
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Add Postcolonial Con-Texts: Writing Back to the Canon, In recent years works such as Jean Rhys's Wide Sargasso Sea, J.M. Coetzee's Foe and Peter Carey's Jack Maggs, which 'write back' to classic English texts, have attracted considerable attention as offering a paradigm for the relationship between post-colon, Postcolonial Con-Texts: Writing Back to the Canon to the inventory that you are selling on WonderClubX
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Add Postcolonial Con-Texts: Writing Back to the Canon, In recent years works such as Jean Rhys's Wide Sargasso Sea, J.M. Coetzee's Foe and Peter Carey's Jack Maggs, which 'write back' to classic English texts, have attracted considerable attention as offering a paradigm for the relationship between post-colon, Postcolonial Con-Texts: Writing Back to the Canon to your collection on WonderClub |