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Acknowledgments | ||
Introduction | ||
1 | Postmodernism / Fin de Siecle: Defining "Difference" in Late Twentieth-Century Poetics | 3 |
2 | Tolerance and Taboo: Modernist Primitivisms and Postmodernist Pieties | 34 |
3 | "Barbed-Wire Entanglements": The "New American Poetry," 1930-32 | 51 |
4 | "A Step Away from Them": Poetry 1956 | 83 |
5 | Lucent and Inescapable Rhythms: Metrical "Choice" and Historical Formation | 116 |
6 | After Free Verse: The New Nonlinear Poetries | 141 |
7 | What We Don't Talk about When We Talk about Poetry: Some Aporias of Literary Journalism | 168 |
8 | English as a "Second" Language: Mina Loy's "Anglo-Mongrels and the Rose" | 193 |
9 | Poetry in Time of War: The Duncan-Levertov Controversy | 208 |
10 | How Russian Is It: Lyn Hejinian's Oxota | 222 |
11 | What Really Happened: Roland Barthes's Winter Garden/Christian Boltanski's Archives of the Dead | 243 |
12 | "Inner Tension / In Attention": Steve McCaffery's Book Art | 264 |
13 | The Music of Verbal Space: John Cage's "What You Say ..." | 290 |
14 | The Morphology of the Amorphous: Bill Viola's Videoscapes | 309 |
Notes | 323 | |
Illustration Sources | 357 | |
Poetry Sources | 363 | |
Index | 365 |
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