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Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut Book

Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut
Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut, , Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut has a rating of 5 stars
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Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut, , Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut
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  • Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut
  • Written by author Ardis Butterfield
  • Published by Cambridge University Press, March 2003
  • Butterfield examines the relationship between poetry and music in medieval France.
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Prologue
Pt. IText and performance
1Song and written record in the early thirteenth century
2The sources of song: charisonniers, narratives, dance-song
3The performance of song in Jean Renart's Rose
Pt. IIThe boundaries of genre
4The refrain
5Refrains in context: a case study
6Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing
Pt. IIIThe location of culture
7'Courtly' and 'popular' in the thirteenth century
8Urban culture: Arras and the puys
9The cultural contexts of Adam de la Halle: Le Jeu de Robin et de Marion
Pt. IVModes of inscription
10Songs in writing: the evidence of the manuscripts
11Chant/fable: Aucassin et Nicolette
12Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146
Pt. VLyric and narrative
13The two Roses: Machaut and the thirteenth century
14Rewriting song: chanson, motet, salut, and dit
15Citation and authorship from the thirteenth to the fourteenth century
Pt. VIEnvoy: the new art
16The Formes fixes: from Adam de la Halle to Guillaume de Machaut
Epilogue


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