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Acknowledgments | ||
Introduction: "How the Other Half ..." | 1 | |
Relating to Photographs | 17 | |
Growing Up with Aborigines | 23 | |
When Is a Photograph Worth a Thousand Words? | 40 | |
The Making of Professional "Savages": From P. T. Barnum (1883) to the Sunday Times (1998) | 55 | |
Navajo and Photography | 85 | |
The Japanese Colonial Eye: Science, Exploration, and Empire | 100 | |
The Changing Photographic Contract: Aborigines and Image Ethics | 119 | |
Supple Bodies: The Papua New Guinea Photographs of Captain Francis R. Barton, 1899-1907 | 146 | |
Figueroa Aznar and the Cusco Indigenistas: Photography and Modernism in Early-Twentieth-Century Peru | 173 | |
Notes from the Surface of the Image: Photography, Postcolonialism, and Vernacular Modernism | 202 | |
Imagined Journeys: The Likoni Ferry Photographers of Mombasa, Kenya | 221 | |
Yoruba Photography: How the Yoruba See Themselves | 240 | |
Works Cited | 261 | |
Contributors | 277 | |
Index | 279 |
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