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"William Friedrich, an ambitious professor of psychology at Yale in the early 1950s, has stumbled upon a drug that promises happiness - and that can make him a famous man. His is a humanitarian effort; an attempt to relieve Americans of suffering, and the early results are so promising that Friedrich stakes his future on it. But when his experiment goes awry and a research subject, a brilliant and troubled Yale student, commits murder, the consequences will haunt him and his family forever." Pharmakon, which in Greek means both "poison" and "cure," is an epic invocation of the quest for bliss, for love, for family and prosperity, and all of the betrayals that follow. Through the eyes of the youngest son, Zach, we follow the Friedrichs from the well-ordered suburban life of postwar America through the chaos and freedom of the counterculture into the drug-fueled, media-crazed eighties and beyond. In William Friedrich, Wittenborn has defined the archetypal American patriarch: a miracle worker and source of strength to everyone except those he loves the most. Honest, insightful, and ruefully funny, Pharmakon captures formative moments of the twentieth century and the telling traits of an American family. It is also a layered, thoughtful search behind the veil of psychopharmacology as we know it today - a tale not only of the consequences of research, but the complex personalities, appetites, and struggles that created it.
"I was born because a man came to kill my father." That's the opening sentence in Pharmakon, Dirk Wittenborn's novel about a family buffeted by tragedy, psychology, and pharmacy. It's an engaging opening to a saga that never quite finds its way through the author's dense plotting and habit of "telling not showing." Nonetheless, that opening line propels the reader through the story of the Friedrich family from the 1950s to the 1990s. Everything spirals outward from the moment troubled student and psychology guinea pig Casper Gedsic shows up at the Friedrich household with murder in his eyes. Casper is upset because Dr. William Friedrich, a Yale professor, has put him on an experimental "happiness drug" he hopes will send patients into states of chemical bliss. Instead, Casper cracks and goes on a rampage. Fast-forwarding several years, Pharmakon picks up with Zach, the youngest son of the Friedrich brood, who details the busy and troubled life of a family ruled by a distracted patriarch and a mother suffering from severe depression in the wake of tragedy. Zach, along with his brother and sisters, is "overdosed with family," and so, too, might be readers as they find themselves tangled in a novel that bears similarities to early John Irving and his cavalcade of zany characters. Wittenborn is at his best in the scenes where Dr. Friedrich is convinced his "synthetic joy" will cure postwar America of its unhappiness, all the time unaware that the saddest family is his own. --David Abrams
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