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Acknowledgments | ||
1 | Introduction | 3 |
2 | Resisting Romance: Audrey Thomas's Intertidal Life | 27 |
3 | Citing the Body: The Discursive Mapping of the Woman and the Subversive Domain of the Carnivalesque in Susan Swan's The Biggest Modern Woman of the World | 63 |
4 | Daphne Marlatt's Ana Historic: A Genealogy for Lost Women | 101 |
5 | Abandoning the Map: From Cartography to Nomadology - the Fictions of Aritha van Herk | 133 |
6 | Emptying the Museum: Jane Urquhart's The Whirlpool | 169 |
7 | Epilogue: Strategies for Re-vision | 209 |
Notes | 221 | |
Bibliography | 235 | |
Index | 251 |
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Add Paths of desire, Marlene Goldman posits intriguing connections between the act of map-making, postmodern theory, and female identity in this study of the experimental works of five Canadian women writers: Intertidal Life by Audrey Thomas, The Biggest Modern Woman of the W, Paths of desire to the inventory that you are selling on WonderClubX
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Add Paths of desire, Marlene Goldman posits intriguing connections between the act of map-making, postmodern theory, and female identity in this study of the experimental works of five Canadian women writers: Intertidal Life by Audrey Thomas, The Biggest Modern Woman of the W, Paths of desire to your collection on WonderClub |