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Illustrations ix
Acknowledgments xi
introduction xv
Abbreviations xxix
"Party Pieces": Oral Storytelling and Social Performance in Ireland 1
Dubliners: "Scrupulous Meanness" Versus Expansive Performance 24
Stephen Dedalus's Non Serviam Patriarchal and Performative Failure in A Portrait of the Artist as a Young Man 53
Vying for Artistry in Ulysses 75
Vying for Center Stage in Beckett's Early Plays 107
Performers and Antiperformers in Beckett's Dramaticules 143
Coda: Stage(d) Endings 180
Notes 187
Bibliography 219
Index 235
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Add Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett to the inventory that you are selling on WonderClubX
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Add Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett to your collection on WonderClub |