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Introduction : sci fidelity - music, sound and genre history | 1 | |
Ch. 1 | Hooked on aetherophonics : The day the earth stood still | 30 |
Ch. 2 | Atomic overtones and primitive undertones : Akira Ifukube's sound design for Godzilla | 42 |
Ch. 3 | Forbidden planet : effects and affects in the electro avant garde | 61 |
Ch. 4 | The transmolecularisation of [Black] folk : Space is the place, Sun Ra and Afrofuturism | 77 |
Ch. 5 | Nostalgia, masculinist discourse, and authoritarianism in John Williams' scores for Star wars and Close encounters of the third kind | 96 |
Ch. 6 | Sound and music in the Mad Max trilogy | 109 |
Ch. 7 | "These are my nightmares" : music and sound in the films of David Cronenberg | 129 |
Ch. 8 | Ambient soundscapes in Blade runner | 149 |
Ch. 9 | 'I'll be back' : recurrent sonic motifs in James Cameron's Terminator films | 165 |
Ch. 10 | Inter-planetary soundclash : music, technology and territorialisation in Mars attacks! | 176 |
Ch. 11 | Mapping The matrix : virtual spatiality and the realm of the perceptual | 188 |
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Add Off the Planet: Music, Sound and Science Fiction Cinema, Over the last decade, music and sound have been increasingly recognized as an important—if often neglected—aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, so, Off the Planet: Music, Sound and Science Fiction Cinema to the inventory that you are selling on WonderClubX
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Add Off the Planet: Music, Sound and Science Fiction Cinema, Over the last decade, music and sound have been increasingly recognized as an important—if often neglected—aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, so, Off the Planet: Music, Sound and Science Fiction Cinema to your collection on WonderClub |