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Preface | ||
Introduction: What Is Film Narration, after All? | 1 | |
1 | Storytelling Situations: Working Definitions | 20 |
2 | From Silence to Sound: Texts and Voices | 29 |
3 | New Wave; Art Cinema; How It Is | 53 |
4 | Voice-over Narration: Orpheus and Sunset Boulevard | 75 |
5 | Dramatized Narration: The Cabinet of Dr. Caligari and Hiroshima Mon Amour | 99 |
6 | Multiple Narration: Rashomon and Zelig | 128 |
7 | Written Narration: Letter from an Unknown Woman and Diary of a Country Priest | 149 |
8 | Mindscreen Narration: Brief Encounter (with a Bow to Daybreak) | 173 |
Continuation: Questions for Research | 191 | |
Notes | 205 | |
Index | 237 |
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Add Narrated Films: Storytelling Situations in Cinema History, In Narrated Films, Avrom Fleishman explores the distinctive literary techniques often used by filmmakers to tell their stories. Through close viewings of ingeniously paired films, Fleishman documents five narrational practices in the cinema: voice-, Narrated Films: Storytelling Situations in Cinema History to the inventory that you are selling on WonderClubX
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Add Narrated Films: Storytelling Situations in Cinema History, In Narrated Films, Avrom Fleishman explores the distinctive literary techniques often used by filmmakers to tell their stories. Through close viewings of ingeniously paired films, Fleishman documents five narrational practices in the cinema: voice-, Narrated Films: Storytelling Situations in Cinema History to your collection on WonderClub |