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Acknowledgments | ||
1 | Drumtalk: Black Rhetorics, Black Rhythms, Black Writings | 3 |
2 | To Reveal and to Heal: Some Thoughts on African-American Literature and Criticism since the 1960s | 19 |
3 | Blacking the Zero: Toward a Semiotics of Neo-Hoodoo | 49 |
4 | Blue Syntaxophones: The Poetry of Bob Kaufman | 63 |
5 | Derek Walcott: History as Dis-ease | 83 |
6 | Re/Vision and Resistance in Caribbean Women's Writings | 93 |
7 | Working toward the Light: A Conversation with Lorna Goodison | 115 |
8 | The Untold Stories in Armah's Why Are We So Blest? | 127 |
9 | Theory and Its Discontents: An African Instance | 147 |
10 | Occupying Ambiguous Territory: A Conversation with Nuruddin Farah | 157 |
Index | 171 |
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Add Masters of the Drum: Black Lit/oratures Across the Continuum, Vol. 175, Masters of the Drum, comprising eight essays and two interviews, examines both celebrated and insufficiently explored Caribbean, African, and African-American lit/orature that asserts the interface between the scribal and the spoken/gestural in Bla, Masters of the Drum: Black Lit/oratures Across the Continuum, Vol. 175 to the inventory that you are selling on WonderClubX
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Add Masters of the Drum: Black Lit/oratures Across the Continuum, Vol. 175, Masters of the Drum, comprising eight essays and two interviews, examines both celebrated and insufficiently explored Caribbean, African, and African-American lit/orature that asserts the interface between the scribal and the spoken/gestural in Bla, Masters of the Drum: Black Lit/oratures Across the Continuum, Vol. 175 to your collection on WonderClub |