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Acknowledgments | ix | |
Abbreviations | xi | |
1. | Introduction: Modernism and the Masculinist Impulse | 1 |
2. | Toomer's Male Prison and the Spectatorial Artist | 20 |
3. | Of Silent Strivings: Cane's Mute and Dreaming Dictie | 49 |
4. | Hurston's Masculinist Critique of the South | 92 |
5. | Zora Neale Hurston and the Romance of the Supernature | 117 |
6. | Promised Lands: The New Jerusalem's Inner City and John Edgar Wideman's Philadelphia Story | 145 |
7. | When and Where We Enter: Closing the Gap in Morrison's Beloved and Naylor's Mama Day | 182 |
Conclusion | 211 | |
Bibliography | 217 | |
Index | 229 |
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Add Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity, In Masculinist Impulses, Nathan Grant begins his analysis of African American texts by focusing on the fragmentation of values of black masculinity—free labor, self-reliance, and responsibility to family and community—as a result of slavery, p, Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity to the inventory that you are selling on WonderClubX
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Add Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity, In Masculinist Impulses, Nathan Grant begins his analysis of African American texts by focusing on the fragmentation of values of black masculinity—free labor, self-reliance, and responsibility to family and community—as a result of slavery, p, Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity to your collection on WonderClub |