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| Acknowledgements | ||
| Introduction: From the Small Screen to the Big Picture | 1 | |
| 1 | Class and Creative Labour | 6 |
| 2 | Mode of Production: Techonology and New Media | 38 |
| 3 | Powers of Capital: Hollywood's Media-Industrial Complex | 61 |
| 4 | The State: Regulating the Impossible | 87 |
| 5 | Base-Superstructure: Reconstructing the Political Unconscious | 118 |
| 6 | Signs, Ideology and Hegemony | 155 |
| 7 | Commodity Fetishism and Reification: The World Made Spectral | 183 |
| 8 | Knowledge, Norms and Social Interests: Dilemmas for Documentary | 220 |
| 9 | Conclusion: Reflections on Key Concepts and Contemporary Trends | 257 |
| Notes | 269 | |
| Bibliography | 273 | |
| Index | 283 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Megan Bache
reviewed Marxism And Media Studies: Key Concepts and Contemporary Trends on October 21, 2013
Marxism And Media Studies: Key Concepts and Contemporary Trends
A good introduction to a critical postmodern theory of property. For myself, Davies' spends too much time analyzing the "commons" as a part of the digital word (e.g. file sharing), while lacking a sufficient analysis of a more material form of the commons. I found her conclusion on the "horizons" of property engaged little with engaged/performed alternatives to private property, instead listing libertarian and anti-capitalist ideologies which oppose the current hegemonic form of private property in the West.
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