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Autumn letter | 3 | |
Home stories | 5 | |
Dokhtar-e Amrika-i | 7 | |
Dokhtar-e Irani | 9 | |
Separation | 11 | |
The sun is a dying star | 13 | |
En route to Persepolis | 23 | |
Timing | 25 | |
Against the kitchen white wall | 27 | |
Road trip | 29 | |
The break | 31 | |
Home | 38 | |
Persian Princess Insania | 40 | |
Naderi | 42 | |
Where does my language lie? | 43 | |
Inheritance | 44 | |
Revolution 1979 | 52 | |
Portland, Oregon 1979 | 53 | |
With a little help from my friends | 56 | |
Another quiet new year | 61 | |
My brother at the Canadian border | 64 | |
1979 | 65 | |
Captions | 71 | |
Arrivals and departures | 77 | |
Excerpt from to see and see again | 86 | |
For tradition | 95 | |
Sister | 96 | |
Twin | 98 | |
The Persian bath | 100 | |
A love song | 101 | |
Pomegranates | 102 | |
Passover | 105 | |
Ajun | 106 | |
Next year in Cyprus | 112 | |
Recovery | 117 | |
Baba's passing - February 2005 | 129 | |
Joys of a simple meal | 131 | |
Raw walnuts | 132 | |
The camel and the cantaloupe | 135 | |
Ode to the eggplant | 137 | |
Torches | 139 | |
Avenue Vali Asr | 143 | |
Woman's duty | 145 | |
The next day is always so still | 146 | |
Waiting for Ulysses | 148 | |
The woman has veto power | 149 | |
On the rooftop | 151 | |
If you change your nose | 161 | |
Iranian women | 163 | |
Love in a time of struggle | 166 | |
Becoming a woman | 180 | |
The world was a couple | 182 | |
The gift | 183 | |
The execution of Atefeh | 194 | |
Bad | 196 | |
Summoning | 197 | |
Masouleh | 198 | |
Words to die for | 199 | |
Fariba's daughters | 201 | |
Lower Manhattan | 205 | |
Another day and counting | 207 | |
Axis of evil | 209 | |
How lucky persimmons are | 211 | |
Mamaan-Bozorg | 213 | |
In the gutter | 214 | |
The witness | 216 | |
American again | 220 | |
Butcher shop | 221 | |
Iranians v. Persians | 222 | |
Invitation to the hungry ghosts | 224 | |
When toys are us | 225 | |
As good as any other day | 229 | |
Dawn on the fall equinox | 230 | |
Instilling shock and awe | 232 | |
Summer day | 233 | |
Sestinelle for travelers | 237 | |
The best reason to write a poem is still for love | 239 | |
Perfectly parallel mirrors | 241 | |
Money buys | 243 | |
Once | 244 | |
Excerpt from stones in the garden | 246 | |
Stripes | 253 | |
Magical chair of nails : becoming a writer in a second language | 256 | |
Us four | 259 | |
The eglantine deal | 260 | |
The sandcastle | 263 | |
Ghazal | 267 | |
Mandala at Manzanar | 268 | |
Beyond | 269 | |
Only the blue remains unchanged | 270 | |
Night conversations (deep are these distances) | 273 | |
Do you miss me? | 275 | |
Lost Karbala | 277 | |
Sing | 278 | |
Earth and water | 279 | |
Tales left untold | 281 | |
Because of hands and bread | 295 | |
Soleiman's silence | 296 | |
Standing in a mosque contemplating faith | 301 | |
Sabze | 303 | |
Years later | 304 | |
Native | 306 | |
Unpacking | 308 | |
Blessing | 309 | |
Green world through broken glass | 311 | |
A return | 312 | |
Blood | 313 | |
13 days | 332 | |
Ari | 333 | |
Let me tell you where I've been | 335 | |
Cardamom and hell | 337 | |
Nazr | 338 |
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Add Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, A powerful literary tribute to women in exile Until recently, Iranian literature had overwhelmingly been the domain of men. But things have changed. The new hybrid culture of Iranian Americans has produced a uniquely feminine literary voice. Le, Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora to the inventory that you are selling on WonderClubX
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Add Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, A powerful literary tribute to women in exile Until recently, Iranian literature had overwhelmingly been the domain of men. But things have changed. The new hybrid culture of Iranian Americans has produced a uniquely feminine literary voice. Le, Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora to your collection on WonderClub |