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Acknowledgments Introduction: Critical Paradigms in Race, Nation, and Narratology
Part One. Interruptions Chapter 1. Race, Citizenship, and Form: James Weldon Johnson's The Autobiography of an Ex-Colored Man Chapter 2. The Poetics of Biomythography: The Work of Audre Lorde
Part Two. Disruptions Chapter 3. Race, Nation and the Imagination: Michelle Cliff's No Telephone to Heaven Chapter 4. Jazz Imaginings of the Nation-State: Earl Lovelace's Salt
Part Three. Eruptions Chapter 5. Dis-ease, De-formity and Diaspora: John Edgar Wideman's The Cattle Killing
Conclusion: Dialectics of Globalization, Development, and Discourse Notes Works Cited Index
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Add Legba's Crossing: Narratology in the African Atlantic, In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. In Legba's Crossing,, Legba's Crossing: Narratology in the African Atlantic to the inventory that you are selling on WonderClubX
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Add Legba's Crossing: Narratology in the African Atlantic, In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. In Legba's Crossing,, Legba's Crossing: Narratology in the African Atlantic to your collection on WonderClub |