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Acknowledgments | ||
Introduction | 1 | |
Pt. 1 | Theory | 11 |
1 | Categorizing the Other: Stereotypes and Stereotyping | 13 |
2 | Stereotypes in Film | 38 |
3 | A Crash Course on Hollywood's Latino Imagery | 66 |
4 | Subversive Acts: Latino Actor Case Studies | 87 |
Pt. 2 | The Hollywood Version: Latino Representation in Mainstream Cinema | 109 |
5 | Bordertown, the Assimilation Narrative, and the Chicano Social Problem Film | 111 |
6 | The Margin as Center: The Multicultural Dynamics of John Ford's Westerns | 128 |
7 | Immigrants, Aliens, and Extraterrestrials: Science Fiction's Alien "Other" as (among Other Things) New Hispanic Imagery | 153 |
Pt. 3 | Latino Self-Representation | 183 |
Backstory: Chicano and Latino Filmmakers behind the Camera | 185 | |
8 | El Genio Del Genero: Mexican American Borderland Documentaries and Postmodernism | 190 |
9 | Ethnic Ingenuity and Mainstream Cinema: Robert Rodriguez's Bedhead (1990) and El Mariachi (1993) | 219 |
10 | The Mariachi Aesthetic Goes to Hollywood: An Interview with Robert Rodriguez | 240 |
Conclusion: The End of Stereotypes? | 262 | |
Notes | 273 | |
Index | 305 |
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Add Latino Images in Film : Stereotypes, Subversion, and Resistance, The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady--these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovati, Latino Images in Film : Stereotypes, Subversion, and Resistance to the inventory that you are selling on WonderClubX
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Add Latino Images in Film : Stereotypes, Subversion, and Resistance, The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady--these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovati, Latino Images in Film : Stereotypes, Subversion, and Resistance to your collection on WonderClub |