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Preface | ||
Introduction: The Frontier as a Model for Jewish History | 1 | |
1 | The First Comic Film about the Shoah: Jurek Becker and Cultural Opposition within the GDR | 35 |
2 | Is Life Beautiful? Can the Shoah Be Funny? On the Frontier between Acceptable and Unacceptable Representations of the Holocaust in Some Newer and Older Films | 65 |
3 | Smoking Jews on the Frontier | 95 |
4 | A French Frontier: Proust's Nose | 111 |
5 | A Dream of Jewishness on the Frontier: Kafka's Tumor and "A Country Doctor" | 129 |
6 | Private Knowledge: Jewish Illnesses and the Process of Identity Formation | 149 |
7 | "We're Not Jews": Imagining Jewish History and Jewish Bodies in Contemporary Multicultural Literature | 169 |
Notes | 207 | |
Supplemental Reading | 235 | |
Index | 239 |
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Add Jewish Frontiers, Jewish history has generally been understood as the history of a people displaced from their homeland, and this has played a defining role in how we understand Jewish identity. In this series of interlinked essays, noted critic Sander L. Gilman suggests t, Jewish Frontiers to the inventory that you are selling on WonderClubX
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Add Jewish Frontiers, Jewish history has generally been understood as the history of a people displaced from their homeland, and this has played a defining role in how we understand Jewish identity. In this series of interlinked essays, noted critic Sander L. Gilman suggests t, Jewish Frontiers to your collection on WonderClub |