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Book Categories |
List of Illustrations | ||
Preface | ||
1 | Introduction | 1 |
2 | The performance of desire | 10 |
3 | The eye of the beholder | 31 |
4 | Call me Ganymede | 53 |
5 | Masculine apparel | 83 |
6 | Mankind witches | 106 |
7 | Visible figures | 127 |
Notes | 154 | |
Index | 173 |
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Add Impersonations: The Performance of Gender in Shakespeare's England, Why was England the only country in Europe to maintain an all-male public theater in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and so, Impersonations: The Performance of Gender in Shakespeare's England to the inventory that you are selling on WonderClubX
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Add Impersonations: The Performance of Gender in Shakespeare's England, Why was England the only country in Europe to maintain an all-male public theater in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and so, Impersonations: The Performance of Gender in Shakespeare's England to your collection on WonderClub |